Top Pick

We’ve had a few Scandinavian Jewellers as the Top Picks recently so its time to bring it back to Scotland. Where better to look than the Highlands, Ullapool to be more precise. Merlin Planterose creates beautiful work inspired by the landscapes that she now lives in, drawing from the rugged hills, mountains and remote islands. Merlin enjoys exploring textures and often contrast rough textures with finer elements, such as polished silver, precious stones and pearls.

Merlin Planterose 8

Merlin works from  her workshop at Leckmelm Wood in a small hexagonal pavilion with a wood-burning stove and views over Lochbroom. She and her husband spent the last two years of University traveling up at the weekends in order to re-build an old wooden cabin which they now live in.

Whilst researching for a collection Merlin often stumbles upon a historical story, character or event that interests her. This informs the designs in a more conceptual level, so that a finished piece is not only aesthetically unique and pleasing but also has a story behind it.

Merlin Planterose 4

Merlin’s Lady Grange collection from 2012 is inspired by the true story of a woman’s captivity on the remote island of St Kilda in the 1700’s.

The use of rough stone hammered textures in the pieces reflects the harsh conditions on the island, contrasted with the use of precious stones and pearls. The design of the pieces themselves are similar to those worn in the 18th century, incorporating the element of a locket into some of the pieces. Merlin also uses sections of gold chain and traces of gold to hint at the Lady that she was, but the pieces retain a rough look which reminds us of the hostile environment she found herself in, in contrast to the lifestyle she was accustomed to.

Merlin’s work is beautifully thought out and executed. The stories behind the work hint at romance and the nostalgia of a time gone by. She manages to create work which although is new in terms of the time of  its completion, are still steeped in history.Merlin Planterose 2Merlin’s work is well thoughtful and  researched which makes the end product even more precious and covetable.


Top Pick

Now for a Top Pick from Denmark. Kim Buck studied at the Danish College of Jewellery and Silversmithing, now the Insitute of Precious Metals between 1983-85 and has since had an extremely exciting and prolific career. Take a look at his CV on his website.Its pretty impressive stuff. During his career so far he has taught, exhibited, sat on selection panels, won awards. He’s done it all.

The reason I chose Kim as the next Top Pick is partly because a friend is moving to Copenhagen soon and I wanted to see what Denmark had to offer. I promptly came across Kim’s work. The interesting forms, materials and colours instantly caught my eye.

'Pumpous II' 999,9 gold, 2011

‘Pumpous II’ 999,9 gold, 2011

Here is an insight into Kim’s work

“:: MY JEWELLERY IS ABOUT JEWELLERY, award-winning goldsmith Kim Buck explains laconically of his elegant, skillfully crafted designs – though simple, it is an apt statement. Buck’s delicate pieces reflect on the fundamental basis of jewellery – wearability and communicability. Buck creates jewellery that is to be worn, that will take on a new life once it leaves the hands of the maker: ”The important thing about jewellery is what goes on after the pieces leave the maker, what they mean to people. Through my pieces I try to show my respect for this, and to visualize the aspects and values of jewellery that we as makers have no influence on, and can take no part in.”

pumpous color ny

pumpous color ny

The thing that attracted me to this work was the look and feel of it. The colours and fabric create such a shine that make this work have a kind of cartoon graphic that seems too good to resist. Buck uses traditional materials such as gold silver, pearls together with conventional techniques but also uses CAD/CAM software alongside more unusual materials. His contrasting dialogue with materials and processes is evident in his most recent works.

”My education as a goldsmith is the basis for everything that I do. I am in a very traditional trade that l both respect and dislike – my recent work reflects these contrasting feelings and mechanisms.”

'Pumpous ring III'_2011_finegold

‘Pumpous ring III’_2011_finegold

'Bonsai' Kim Buck 2012

‘Bonsai’ Kim Buck 2012

Kim wasnt a jeweller I knew much about before but his website is full of great images and insights and he even has a Book too so make sure you check it out.

Top Pick

Our latest Top Pick is extremely talented jeweller and designer from Norway, Elise Hatlo. Elise has a Masters degree in Visual Arts from the metal department of Oslo National Academy Of The Arts and is one of the key members of Norwegian Jewellery collective, KL!INK.

Kort Kirst 2

Golden rose, the color of the dream I had
Not too long ago
A misty blue and the lilac too
A never to grow old.

‘One Rainy Wish’ Jimi Hendrix 1967

This piece is from her “Grandma sings the Blues” collection.In this project, Elise pictures a grandmother sitting in a rocking chair, crocheting while she sings sad old blues songs. In blues music, the so called ‘blue notes’ are important. She has directly translated this mood in to the colours in her pieces.

Kort A5 kirsti 3

Elise wishes to convey the value of what previous generations have been dedicated to by using old patterns as a starting point for her own work. The intention of the work is to apply the aesthetics and decorative arts from ancient female textile traditions, such as crocheting, as a valuable part of our time.

Here are some more beautifully coloured pieces from her “Grandma goes to Tokyo,” collection.



In the project “Grandma goes to Tokyo” opposites meet, the old and nostalgic attempts to find new ways in contemporary times. What happens to grandmother’s needlework, such as tatting, crochet work and embroidery in the face of the expressive, colorful and costumed youth culture in Japan?

Inspired by the ornaments and the aesthetics of the old textile crafts of women, the patterns inherited from tatting meet strong fluorescent colors, humor and surrealism, and form the basis for a series of jewelry.


Top Pick

This week our Top Pick of jewellery artists is Edinburgh based Caroline Cloughley. Caroline has many fears, lepidophobia (butterflies), mottephobia (moths), achluophobia (the dark), demophobia (crowds) and more she’s probably yet to uncover. Through her work, she attempts to externalize these irrational fears.

Meteor Ring

Meteor Ring

In her beautiful lepidophobia collection, Caroline uses contrasting materials such as precious metal and lamintated wings, to exercise her fear of the seemingly harmless butterfly. She creates jewellery with a rich narrative, reflecting the dichotomy of the beauty and terror found in the objects of her fears.

Thaumatrope Necklace

Thaumatrope Necklace

 Caroline also finds inspiration in the night sky to exercise her fear of the dark, which continues to trouble her long since childhood.

Wing earrings

Using her fears as inspiration and contrasting materials Caroline beautifully captures a sense of fragility in her work. By encapsulating materials which represent these fears she is creating a wearable representation of them which can be worn by and mean something else to someone else.

Top Pick

Jewellery by Scottish artist, Beth Legg explores a sense of place through the embedded object and memory. The remote environment she comes from in the far north coast of Scotland  has strongly influenced the work she produces. She has always been fascinated by the hinterlands and quiet edges of places – a bleak remoteness which can be both beautiful and melancholic.


Beths work is beutifully delicate and manages to capture moments of nature which would otherwise be ephemeral or transient.

Fallen Trees

Beth likes to think of the body as a landscape – the jewellery pieces are transformed when worn and the wearer appropriates the narrative of the landscape and forms their own associations through the piece. Away from the wearer she likes work to take on the character of still lives through a contemplative and sensitive interpretation of the sense of place.She tends to work instinctively with materials rather than contriving designs beforehand. She enjoys the labour of traditional hand tool methods – forming a dialogue with materials through the exploration of their innate qualities and discovering their inherent possibilities. Beth finds this process of designing through making both intellectually and emotionally satisfying.


Beths work can be seen as a moving dialogue – each piece an exploration of composing elements encompassing themes of landscape and memory, ultimately reflecting the often bleak and fragile nature of the environment she comes from.


Beths jewellery is incredibly thoughtful and the way she designs through her use of materials is inspiring in a world where CAD is becoming increasingly popular.

Top Pick

This weeks top pick is extremely talented Australian Jeweller living in Munich, Helen Britton. Here is some jewellery she created especially for a solo exhibition of her work, in Nurnberg,Germany.

Helen BrittonHelen Britton

Helen BrittonHelen Britton

Here is an excert from Helen’s diary which is featured on her Klimt02 page. It gives great insight into the motivations for her jewellery and the materials she uses.

Munich, 2007. I am still roaming around finding things, hunting for and gathering materials, like I’ve been doing for years. No sea shores here though, a few river banks now and then and also heaps of junk. Europe: the residue of matter, contemporary and otherwise is exotic and plentiful, piled up in the flea markets, spilling onto the streets out of shops, being broken or discarded and crunched back into the earth for centuries. In the last years I have stopped collecting just anything to make my pieces and have now restricted myself in a non-puritanical way to reworking elements that were originally made for the production of jewellery. This seems appropriate for one so obsessed with the significance and history of decoration, these elements making a kind of double reflection, a new intensity of purpose.

HB1These brooches are from her beautiful industrial series.Helen BrittonImg0650

For the exhibition she has created a wall installation of her drawings. Here is an exert from her artists statement about the installation.

What have we got here in this work? All themes of popular culture. Violence,
love, riches, sentimentally, humour, wisdom, the exotic, the precious, the rare;
a friendly small companion, a lucky charm, an amulet. Hope. The small and the
large refrain. While the components themselves are in the form of the cheapest
trinket, the sentiment that they intend to convey reaches into the deepest abyss.
Primal concerns. These components have come bubbling out of the history of
humanity and have drifted around the planet collecting along the tidelines of
human activity.

Helen Britton

Helen Britton

Helen also writes about her work beautiful and the words create a feeling of magic and mystery that trancends into her jewellery. Dont you think…?

If you would like to read more from her Artists Statement just click this link and you will be taken to the PDF document. Dekorationswut

Top Pick

This weeks Top Pick is Edinburgh based jeweller, Jessica Howarth. Jessica graduated with a 1st class Hons from Duncan of Jordanstone in 2011. Jessica’s work embodies themes of travel,the unexpected and narrative elements. Jessica creates sculptural pieces that when taken apart aspects can become jewellery in there own right.  She is currently working on a new collection to be released late spring/early summer 2013.


The village.

couple house

The couple house. The roof holds a pair of studs and a pair of cufflinks.

Jess specialises in enamel work and her sculptural villages have an element curiousity which is accentuated by the fact that there is jewellery either hidden inside them or forming a part of them. You can follow Jess on facebook. Just click the image above.

Monkey Ring

Monkey Ring

Jess also makes a range of more affordable pieces such as these beautiful earrings shown below.

Winter Solstice earrings

Winter Solstice earrings

You can also follow Jess on Tumblr and Etsy and Twitter just click the words.

Top Pick

Each week on Anomaly we will be featuring our top pick of art jewellery. By Art jewellery we mean something which is artistic and creative, not necessarily conceptual because we believe that jewellery which makes a statement simply through how it looks or the materials it is made from is just as powerful as jewellery which has a deep, conceptual meaning.

Jenny llewellyn4

This week we love this beautiful necklace by Jenny Llewellyn Jewellery. Bright, vibrant and striking, just the way we like it. Jenny is a London based jeweller who specialises in using translucant silicone in her jewellery and mixes it with precious metals to create jewellery inspired by the luminous colours, shapes and movement of creatures from the deep sea.

Jenny Llewellyn

You can see more of Jenny’s work on her facebook page, just click on the picture. Or visit her website

Jenny also makes some slightly less bold but just as beautiful works for those of you who still want something unusual but want to make a more discreet statement.

Jenny llewellyn3

jenny llewellyn2

You can also see and learn more about Jennys work on her new blog.

Interview #1 – Leo Caballero

So here it is the much anticipated interview with Leo Caballero, co – founder of Klimt02. Alonside Amador Bartomeu, Leo founded Klimt02 in 2002, with the aim of making art jewellery more accessible to a wider audience.

So Leo what made you realise that Klimt02 was needed within the jewellery sector? How did you become aware that there was a gap in the market?

In 2002 that was when we, Amador Bertomeu & Leo Caballero, decided to launch Klimt02. There was almost no information about contemporary jewellery then. It was very hard to find on the internet, not collected, processed or selected information. We just realised we had to do it as in contemporary jewellery there is a very high level of creativity. Note That we talk about 10 year ago, the internet was not what it is nowadays.

What kind of future partnerships do you think Klimt02 could foster? What kind of projects would you like to get involved in?

We are open to hear about projects, we are very open to collaborations to develop interesting projects. By now we run the community, the gallery and we also are publishing books from time to time. Our idea has been always get people together as we all can get more from working &  collaborating in the same directions even though we have different projects or goals.

What kind of project stands out to you? What impresses you most? What makes you stand up and take note?

We are now working very hard to improve the website, this is something we are very concentrated on now, as well as with the gallery programme of exhibitions. All these things take a lot of time and energy. What impress me more? I think is finding new works by artists I did not know, the energy and power of these works. The idea of always learning something new. This is also what make us stand and take note. As well as people working very professionally, we think this is a basic need for becoming a success.

If you could have chosen another career what would it be?

I’m not sure, difficult to say but for sure something related to creation, to creativity.

Leo Caballero and Amador Bartomeu

If you were trying to sell Klimt02 to someone what would you say?

Our policy is not to sell it directly, we have learnt that people must get convinced by themselves, there is a time for each person or each person needs its time. But sure we can answer any questions about why it’s good to be at Klimt02. Anyway a good way to explain to someone would be: to be at the proper place to have the best visibility &  the best communication of your work.

What 3 words would you use to describe yourself?

Ufff, maybe I could say: a hard worker, curious to learn & fast thinking.

What kind of thing do you think could improve the jewellery sector?

Open contemporary jewellery to the general public, to new targets, to people who know nothing about it but are sure they will love it.

Who is your favourite jeweller?

I have not just a favourite, can’t say just one name.

Have you ever thought about setting up Klimt02 awards? Taking on interns or setting up residencies?

Yes, we have thought about an award, & probably it will come. Maybe with a partnership… who knows? We already have had interns working with us when they finish at school. We think is good as it is a real experience on how a company works and they are in touch with many different tasks, so they learn many things its not possible to learn at school.

What country do you think is leading the way in contemporary jewellery?

I don’t think there is a country leading at the moment in  terms of the classical concept of what leading is. Sure there are more countries with richer history (Germany, Netherlands…) they are a mirror for us in a way, but nowadays with all the easy mobility of teachers and students I think depends more on individuals than on countries or even schools.

So there you have it. An interview with Leo. I found it very inspiring so I hope you do too. Please leave comments and let me know what you think.